Some spaces are built; others are discovered. My work exists somewhere in between.
I am an Creative Director, Artist, Storyteller, and Curator of fragments—whether in physical materials, moving images, or digital media. Born in Paris, I’ve lived in Florence, Los Angeles, and now, New York City. Each place has left an imprint on my vision, shaping the worlds I create both on the page and in the frame.
My artistic journey began in film. I earned a Bachelor's degree in Editing and Special Effects at the Conservatoire Libre du Cinéma Français, studied animation at the Atelier de Sèvres in Paris, and completed a Master’s in Filmmaking and Producing at the New York Film Academy in Los Angeles. Through film, I learned how to cut, rearrange, and sculpt time. This instinct stayed with me—in every medium I touch, I find myself returning to the same gesture: editing, layering, weaving meaning from fragments.
Today, I work as a Creative Director for an immersive theater company in New York, where I also film, edit, and shape narratives. Crafting content feels like a digital extension of my studio practice. Whether I’m composing a reel or arranging a collage, the process remains the same: I gather scattered moments, paper, petals, gestures, sounds, and reassemble them to tell a deeper story. I am currently expanding my practice with an online marketing course, using strategy to better support and express the ideas that constantly move through me.
My collage and assemblage work is rooted in memory, intuition, and transformation. I use found paper, dried flowers, book pages, and hand-cut forms to build surreal landscapes where cities float, time unravels, and thoughts take on shape. I often explore themes such as Taoist philosophy, emotional perception, and the invisible patterns that guide us. In these layered worlds, the ocean might represent the mind, a kraken may emerge from a building to symbolize the past, and a dry flower becomes a silent keeper of time.
I draw inspiration from Taoism’s embrace of flow, from Confucius’ focus on structure and virtue, and from Aristotle’s belief in interconnected purpose. My work is also deeply influenced by Bachelard's poetics of space, Bergson's idea of intuitive time, and Walter Benjamin's love for fragments and the hidden electricity of things. Each artwork, each edit, each caption I write is a quiet act of philosophical assembly. Recently, I completed a Harvard online workshop titled Chinese Philosophy: The Path to Happiness, which deepened my connection to the teachings of Confucius and Laozi.
I believe art, whether stitched from paper, pixels, or presence, is a form of attention, a way to say: I was here, and I saw beauty in the fragments.
Explore, interpret, linger! Welcome to my world.
